How to Make Your Photos Look Hipster with Photoshop

How to Make Your Photos Look Hipster with Photoshop
urn your mainstream photos into retro coolness. This Photoshop tutorial will show you how to apply a retro/lomo photo effect using professional non-destructive editing techniques. You’ll need Photoshop CS3 or newer to follow this tutorial.

Video Tutorial

Written tutorial continues below

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Hipster Photo Effect Photoshop Tutorial

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Step 1

Open a photo into Photoshop. This effect works best for sunny outdoor photos.

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Step 2

First, we’ll create a bloom effect to make it appear more sunny. Before we apply any filters, convert the layer to a Smart Object. Right click on the Background layer then choose Convert to Smart Object. Now that your layer is a Smart Object, you can apply Smart Filters which are basically non-destructive (settings changeable at any time without any loss in quality) version of filters.

Duplicate the layer (Ctrl/Cmd+J or Layer > Duplicate Layer). Select the top layer; this is the layer we will be applying the bloom effect to.

Go to Filter > Blur > Gaussian Blur then apply a Gaussian Blur with a setting that blurs the image like shown below. You should still be able to make out the shape of the objects. Click OK.

Double-click on the  button to edit the filters blending options. Change the mode setting to Screen.

You just created the bloom effect! Unfortunately, it looks a little fake and there are glowing edges around the black areas. Some people like it like this and some don’t. In the next step, we’ll show you how to make this bloom effect more realistic. You can skip it if you like the dramatic bloom effect.

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Step 3

In this step, we’ll show you how to make the bloom effect more realistic. This step is optional and you may skip to step 4 if you want to keep the bloom effect strong. To make the bloom effect more realistic, we’re going to modify the blending options for the layer to tell Photoshop to keep the bloom effect to the bright areas but hide it in the dark areas.

First, delete the filter mask because we won’t be using it. This is just to keep our layers clean. Right click on the filter mask then choose Delete Filter Mask.

Right click on the layer then choose Blending Options.

In the Blending Options, move the black input slider to the middle like shown in the image below. As you move the input slider, the number on the This Layer property will change. You can tell when it is in the middle when this number is 127.

While holding down the Alt key on your keyboard, click and drag the black input slider towards the very right like shown in the image below. Click OK.

Here’s what the image looks like now. What we just did in the blending options made the layer visible according to the brightness of the layer. This means that the bloom effect is only visible in the brighter areas of the photo.

We still have the bloom effect, it just looks much more natural now.

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Step 4

We got the bloom effect so now we are going to add an effect gives the photo a low dynamic range look. Start by adding a Black & White adjustment layer (Layer > New Adjustment Layer > Black & White. Don’t worry about the settings, we’ll change this later.

Change the blending mode of the Black & White layer to Overlay.

In the Adjustments palette (Window > Adjustments), you can change the settings of the black and white layer. The Auto button works pretty well for getting good results.

Now we have this lo-fi look which some people say is great while others say it’s ugly. Don’t worry too much about the results right now because in the next step, your image will look completely different. Also, because we’re working on an adjustment layer, you can change the settings anytime you like.

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Architectural Photographers

What are photography effects that suits architectural photography ?

We’re launching a new list today based off our popular Agent List: theagentlist.com which has nearly 700 agents worldwide categorized by location and genre. This time we’re going for a smaller segment of the industry: Architectural Photographers. And we’re hoping anyone who shoots architecture and/or interiors will go here: architectphotographers . com and sign up so we don’t have to put all the listings in by ourselves (any who specialize in renderings too). Brittain Stone is managing the list again and will look at each submission to verify that you do have a gallery on your website dedicated to architectural photography. He will also add the genre tags based on his assessment of the style you shoot.

Once we have a healthy list we’re going to market it to the architect clients who’ve become a part of my website business. They’ve expressed interest in more resources for finding photographers and we figured we could provide that service with a nice curated list and expert advice. If you have any questions send Brittain an email (under the help section of the site). Should be beneficial for everyone.

Advice for Photo Assistants

you want to make Funny Photo Effects? If you do, this app will your good assistant! Select a photo from Album or take a photograph

I’d encourage new assistants to really work at networking with other assistants and getting to know producers and production companies, as you’ve pointed out. If you want to work with a good crew and the right photographers, this is the company you need to keep. Usually, photographers who get the big ad campaigns and higher-end jobs are smart and delegate the logistics and certain production aspects to people who are better positioned to take care of every detail. This is especially important as you are starting out, because these types of shooters are probably not going to sit down with you and look at your portfolio. Know the right people, know some gear
I’d add a few things.

 A spectator at an event but there to support it. Be couscous of the flow of the shoot and try to anticipate the shooter’s needs before he/she does 2. 2. NEVER make creative suggestions to the client, even if asked, always defer to the photographer.
3. NEVER, solicit the client for work (Yes, it has happened on my set)
4. Don’t discuss financial arrangements with the client (or anyone else) that’s between you and the photographer.
5. Be friendly & nice
6. It’s OK to chat, just keep it social and brief.
7. Be a self-starter, don’t sit around during idle times, look for tasks that need to be done..and do them!

use social media

ya, don’t do that. Work shouldnt be a lottery for us. Is it for you? Does the client just email up like 10 people and hire the first one that replies???? We like to think our work ethic, skills and attitude is what gets us hired. not some weird turn of luck . It could also be argued that you will more times then not get 2nd rate assistants because 1st rate assistants missed a chance to reply to your email, cause they were busy working!

You’re not the only photo that doesnt either which is annoying.


I agree with this 100%. I feel like I work hard to build a relationship with photographers. I earn their trust by always being on time (early), being part of the shoot, keeping a positive attitude, and working hard to make sure things go as smoothly as possible. I would hate to think that I got a job because I was the first one to call back.

Also, I have my phone on me at all times. I don’t use social media while working. I don’t text friends while working. However, if someone needs to know if they can book me for a job, I don’t want to make them wait all day, and I certainly don’t want to lose the job. I use my phone discreetly. I never use it in front of the photographer’s client or art director. I might check it on the way to the restroom or while heading out to the truck to pick up some gear or at lunch. If I need to actually call someone back then I wait for a lull in the shoot and will tell the photographer I need to call someone about a job. If they can’t understand that (and everyone I’ve worked for does) then I’d rather not work for them. I can’t lose business because someone doesn’t want my phone on set. I can be discreet though and make it so you almost never have to see it.

photographer who assisted

How do you go about becoming an assistant if you live in a city that does not have rental studios? What are some tips for networking in a rather small city if it is absolutely out of the cards to move to a large city? I am married with a child, so moving is out of the question. We live in the capitol city, but it’s smaller than any other ‘city’ in the state. Any advice would be greatly appreciated!

Droops,..so right in saying that! Photographers who have assisted before are usually (but not always) in my experience much better to work for. They just get it. They tend to have more technical and practical knowledge – and also aren’t stressing me out because I’m having to run around after them fixing up weird/dangerous little things they do that they haven’t told me about… all while being discreet about it so they don’t look silly in front of the client! Photographers who used to assist are also often faster, more practical and more organised.

“you have to be more attentive because they used to do what you do and probably better.” – that part is particularly true!!!

Having said that – I worked with a photographer who assisted for a long time and was one of the top assistants in our city while he was doing it. Once he started shooting, his expectations of his own assistants were so high and patience so diminished that he would honestly make me feel like a sack of crap while working for him. I don’t think he means bad… but I now understand that he probably assisted for way too long and just got really bitter and never quite recovered.
i have assisted for many years before i started shooting and can tell you this. most photographers, besides the upper tier, are lazy, indecisive, and lack confidence. i was constantly holding photographers hands cause they had no idea what they were doing, but just had good contacts. its unfortunate that photography allows for non creatives. unless you are steven klein or nick knight shut the fuck up and have fun. if its a bullshit job get through it, be professional, then go have fun. i pay my assistants very well and they are psyched and have a reason to problem solve with me. then we go out and party. its about having fun and going further then you think you can…

photo editor

I have a few photographers that pay me within a week, and you better believe I go out of my way to do what I can for them. I give 30 days and am happy if I see a check within 30 days. If someone pays late then I definitely think about that next time they call. There are too many good photographers around that pay on time to have to worry about whether I’m going to be able to pay my rent on the 1st because I’m waiting for a check.

Like many young, aspiring photographers I thought I’d move to New York from Colorado and start reeling in the ad campaigns, editorials and magazine covers. That was six years ago. And while I’ve shot some cool editorials and ad campaigns here and there, photo assisting is still my bread and butter, like many other photographers I know.

This isn’t necessarily a bad thing – I’ve found it’s a steady way of earning some decent cash in the photo industry while building up my portfolio. It can help you get your bearings in the highly competitive business of commercial and editorial photography, help you build your network and allow you to work alongside some excellent photographers. Plus, it’s a great “first step” in deciding whether or not you actually want to pursue a career in photography (4am call times are not for everyone and you’ll find that out pretty quick).

So if you’ve decided that you want to foray into the crazy world of photo assisting, whether it’s to earn some money or your photo stripes or both, here are a few tips I’ve learned on how to succeed as a photo assistant, thanks to my six years of assisting photographers like Sheila Metzer, Finely MacKay and Doug Menuez.

One: Forget pricey photo schools

Yeah, you heard me. Ditch those photo schools and programs you’d drop thousands on to allegedly “learn the ropes” and just get out there. Technical expertise is taught best on the job. So go out and get yourself one: go to your local photography rental house with an equipment room, or hit up photography studios. (In big cities like New York and Los Angeles, there are literally hundreds). These are great places to learn the ins and outs of lighting, digital and the latest professional camera gear. Slog it out long enough at these places and you’ll meet like-minded photo assistants and photographers that you’ll find can be some of your best resources. Which leads me to my next tip.

Two: Network with other photo assistants

I got my first photo assisting gig through another photo assistant who I’d met at a studio where I’d been putting in some hours. See, photographers will often ask the first assistant to pick his second and third assistants. So if you have some good contacts in the industry, it’s safe to say that you’ll also get some decent and regular work. I’ve learned that a network of a few solid photo assisting buddies goes a long way. And it goes without saying that when you start to book your own photo assisting gigs (or better yet, your own shooting gigs) you’ll throw a bone their way, too.

Insider tip: If there’s a particular photographer you want to assist for, then do some casual research. Look them up on LinkedIn or Facebook (Photo Assistants Association on Facebook) and find out who their studio managers or first assistants are (these guys are the ones who do the freelance assistant hiring). Chances are, you’ll have a common friend or two. Go buy them a drink. Everyone likes a free drink.

Three: Get on the radar of production companies

Contact production companies that specialize in photo shoots, tell them you’re a photo assistant and you’d like to be placed on their assistant’s list. After some vetting on their end, you’ll be placed in a database. It’s sounds overly simple, but from personal experience there is a lot of work that comes directly from production companies. Why? Because photographers are lazy. They don’t want to worry about minutae and trust their producers to handle all of the logistics of a photo shoot. This will bode well for you.

Four: Check your ego at the door

Seriously. ‘Assist’ is the key word. You are the photo assistant, not the photographer (you’ll have your time soon enough). In the meantime, learn how to respect someone else’s shoot and follow instructions. This includes checking your cellphone at the door. Don’t answer your phone on set, don’t Instagram, Facebook or text. This is not your set. This is surprisingly hard for some photo assistants to learn.

Five: Do your homework

Research your photographer. Go online and find out their style of photography, the kinds of lighting and camera they use, and ask other assistants they’ve worked with about their digital workflow. As you continue to work with the same photographers, you’ll begin to anticipate their moves and requests before they ask you: but before you get to that point, it pays to do some research.

Go out and get some of the basic tools you’ll need on set. The more you work, the bigger your kit will grow, especially if you’re working on the digital end of things – assorted cables, cube taps, tape, tools will quickly fill your kit bag – but in the meantime, get yourself some set gloves, and a multi-tool, like a leather man. Trust me.

Before you go on set, make sure you’re an expert at your equipment. Ensure you know how every piece of equipment works, and if you don’t know, ask. Small mistakes can cost time and therefore money – remember you’re there to help speed the process along, not hinder it.

Have an eye for detail: little things like double-checking the photographer’s camera to make sure it’s set to .raw and not .jpeg. Take note of where power settings are on flash packs. Have small reflectors, nets and other light-shaping tools on hand at all times to accommodate subtle light changes as needed.

Six: Learn and remember

Though it’s easy to get caught up in the fine details of the job, it’s also important to actively take stock of the things you learn as an assistant – from the business of making a production work, to how to achieve certain lighting, to adopting techniques for creating certain types of images – so that you can apply them to your own shoots one day. You learn so much about the business and technical side of the industry just by being around sets all day, and this knowledge will serve you well.

Vintage Photo Effect

Turn you photos into cool looking effects like vintage and retro snaps! With this fun and simple darkroom you can apply filters, lightning and borders as easy as photos retro easily! Make your photos retro easily and sample pics  A website from Admarket; About; Chose an effect wizard

This photo was taken sometime in the 1980′s and you can tell by the look of the image (and not just by the awesome fashion on display!). There’s a strong orangey tone to the photo and the contrast is much lower than we’re used to seeing in contemporary photos. Apps like Instagram which everyone seems to be using at the moment allow you to apply this vintage photo style to modern images.

I think this style appeals to people because there’s a lot more character in the images. Modern, flawless photography can sometimes be quite sterile so I think the imperfections of vintage photography really adds visual appeal to an image. You can also recreate this effect very easily in Photoshop.

Our tutorial image comes courtesy of stock.xchng. As you can see the image has clearly been taken with a contemporary piece of photography equipment because of the bright vibrant colours and great image definition. Time to undo all of that!

1. Load the image in Photoshop. Press cmd-j to create a layer copy and then cmd-u to open the hue/saturation panel. Click the Colorize option and use the following settings: Hue:35, Saturation: 50, Lightness: 35. Click ok.

2. Reduce the opacity of the adjusted layer by 50%. Making sure the adjusted layer is selected in your layers palette press cmd-E to merge the with the layer below.

3. Next step is to adjust the contrast a bit. Although we want a lower contrast level than in modern photos it’s gone a little far so we’ll correct that with the curves function (Image -> Adjustments -> Curves). I’ll let you judge the level here but essentially you want to create a shallow ‘s’ bend by dragging the graph. The image here gives you a guide.

4. Press cmd-U and reduce the saturation of the image by 30.

5. Time to add a subtle burn effect around the edge of the image. Add a new layer style and create an inner glow to frame the edge of the image based on the settings shown.

6. As an additional touch to the retro style we’re going for I created an overexposed area to the right of the image. Adda new layer and with the gradient tool chose the default purple-orange gradient. Drag the gradient tool from left to right and change the blending mode of the layer to Screen.  The effect is too intense, however, and needs to be made more subtle.

7. Add a layer mask to the gradient layer. Use a large black soft round brush and set the opacity and flow to around 40%. Use your judgement here and carefully remove the gradient layer as you see fit. I left the orange area fairly intact in order to create the exposure effect.

8. The photo has really got that retro feel to it now but to take the effect even further I’ve added some textures over the top of the image. Really old photos tend to take a battering over time as people handle them to look at. This can lead to small speckles and areas of the photo being totally removed. Open the speckle image in the tutorial pack and drag it on to a new layer. Change the new layer’s blending mode to Screen so that the black becomes transparent. You may want to reduce the number of speckles so either use the eraser tool or create a layer mask.

9. To finish off I used a folded paper stock photo to create some subtle creases over the top of the image. I desaturated the paper photo and change the blending mode to Soft Light. I also added a layer mask and removed the areas around the edge of the creases so I did not obscure the work done on the image beneath.

This is the final result. I hope you found this tutorial useful and you can use the techniques here in your graphic and web design projects in the future.

What is Special Effect Photography…?

What is Special Effect Photography…?

An important innovation in special-effects photography was the development of the optical printer. Essentially, an optical printer is a projector aiming into Photography, Improve Your Skills!!

Special effect photography includes a whole gamut of techniques that photographers can use to create images which may or may not look real, but typically have unique appeal in them. In most cases the purpose of using special effects in photography is to enhance the impact of the picture which can only exist with the use of these effects.

Special effect photography is based on the fundamental conviction that photographs don’t lie. This hypothesis is exploited by offering pictures which look impossible to achieve in real life or augment some aspects of the subject which is beyond being achieved by regular methods of photography. Other than that, special effects can improve or alter reality for other purposes including augmenting aesthetic value or communicating information more effectively as compared to a standard photo.

It is vital for a photographer to develop creative and technical skills of photography to click and present such images. Tutorials are an excellent option to polish your skills and attain perfection behind the lens. A number of are e-books are also available with clear instructions and details to assist photographers who are keen on special effects photography.

 Advantages and Features of Special Effect Photography:

There have been testimonials from photo enthusiasts around the world proving that our e-book encourages and enables photographers to move beyond the dominion of conventional photography to a world of dreamlike and out-of-the-world images.

Features and Advantages

Simple to identify with

Instructions and tips offered in the e-book are very easy to understand and one does not require any professional knowledge. Go through the e-book and you will be attracted to the enchanting world of special effect photography.

Improve photography skills

Amateur as well as professional photographers can learn new tricks and enhance their photography skills by going through the e-book.

Learning becomes fun

Painting the light photography and special effect photography are very interesting, which makes learning a lot of fun.

New photography concepts

Special effect photography is more about creativity than the surroundings and equipments. The e-book helps you generate excellent photography concepts.

Affordable special effect photography tutorial

The e-book is a practical tutorial which is helpful for the expert as well as a novice photographer. This specialized tutorial has been priced economically.

Take the next step

Wishing you could click like the top class photographers, but are under the impression that you may not be good enough. E-book on special effect photography will help you move on to the next level and fulfil your dream of publishing amazing images.

Upgrade your standard camera

Discover unknown features of your camera, which through certain adjustments like shutter speed, image sharpness, balance etc will help you create photographic art pieces.

Enjoy fame and money

Learn painting by light and special effect photography techniques to enhance your photography skills. You will be able to publish your own photographs in magazines and websites which will assist you to carve out your own identity gradually. Learn about editing and enhancing with Abode software and become one of the most skilled photographers.

Special Dome photo effect-wedding

Special  Dome photo effect-wedding 

Dome photo effect

Materials to prepare: broomstick, tape, or string. That’s it!

Just securely attach the light at the end of the broom using tape or string. Hold the end of the broomstick on the ground, and the other end with the light in the air. Imagine the ground is the pivot point. As much as possible, don’t move from this point to create the perfect dome.

Special photo effects for wedding (wishful thinking)

Before I got into special effects photography, I usually take photos of other people, my family, or our mini pinscher Hyper. I rarely take photos of myself, and when I do, I’d delete it in a few seconds! That’s why I felt so awkward for my wedding pictorial! How I wish I had discovered trick photography ages ago! I can just imagine how fun and exciting that would’ve been! My husband and I had a traditional, safe look for out prenuptial photo shoot as well. At that time, I was thinking, since we’re paying these professional photographers lots of money to make us look good, I don’t want to look silly and go crazy with our photoshoot and regret it in the end. Wee had some outfit changes, location changes but that was it. Oh well, that’s already in the past, so now I’m thinking of a family photoshoot.  I think every family should have one! It’s a must! I wouldn’t want to use the “invisible man’ trick here though. 

Trick Photography and Special Effects

Trick Photography and Special Effects 

The Trick Photography and Special Effects Book will teach you that there are a handful of simple

There are a lot of digital photography magazines and books out there, but there aren’t much that focus on special effects for photos. So I believe this specialized book is worth checking out. The current book is the second edition and it’s got nearly 300 packed pages. Evan has written the book in such as way that you can really just check the table of contents for a topic you’re interested in and then go right to it. You really don’t have to read the entire book. As the title of the book says, it’s all about Trick Photography, there are no stray topics. The ebook is straight to the point in all its concepts, well written and organized.

Initially, I was very hesitant to get this book because of the price. I was also deliberating if the contents are new, original or comprehensive enough. Since the author offers a money back guarantee, I followed through. The author is so confident that you will like this e-book if for any reason you are not the least bit happy with it, he will give you a full refund with his 60-Day 100% money back guarantee.

The table of contents has three main sections: Long Exposure Effects and Light Painting, followed by Trick Photography and Special Effects, and then the final section, Photoshop Projects.

He begins with basic equipment such as the camera, lenses and tripod. He also talks briefly about Photoshop and which of the three packages to get.

The author gives a good explanation of ISO or setting the white balance. Eventually, when you’re ready to tackle some more complicated projects such as HDR (High Dynamic Range) shots or 360 X 180 panoramas, you’ll get very detailed instructions on these and dozens of other digital photography special effects.

Sample photos are all over the ebook, showing the final outcome, but most of the shots show the different stages of putting together the trick photo. It’s impossible to not understand what the author is instructing you.

The Photoshop section is effectively written. It starts with a comprehensive explanation of layer masks in view of the fact that layer masks are an integral part of creating photo special effects so learning how to properly use them is critical and inescapable.

Evan Sharboneau also included over 50 instructional videos. In these he demonstrates many of the techniques covered in the book. The video library is sectioned off in the same three headings as the book. Some projects in the book are shown in video format which makes in comprehensible for anyone. Therefore, if you’re the type who learns by demonstration, then these videos would be very appealing. I consider Evan my mentor because he teaches me like a personal coach.

Warning, the 9 hours of videos are all recorded in HD, so they are big files and, depending on your connection speed, may take some time to load. My broadband subscription is just average speed, so I just let them load while I’m doing something else.

In the videos Evan will go into great detail, demonstrating some trick photography or special effect technique, and then show a screen where he lists everything

Who will benefit from this book?

Whether you’re just starting out in looking to expand your range, or you’re a professional looking for a specific technique or to expand your range of expertise, I’m confident that anyone with an interest in trick photography and special effects will benefit from this book and video library. The content of this book is better than most magazines I’ve bought.

Would I Recommend This Book?

From everything I’ve written here, I think this book and video library offer an EXCEPTIONAL VALUE. In fact I think it’s pretty rare to come across something that offers this much for this price.

ow

Photo Special Effects

Posted on July 10, 2012 by admin

Infrared Digital Photography

What you need: filter and tripod

White balance and color connection are to be modified for this trick. Post processing with photoshop will help if your camera cannot set extreme infrared white balances. After you take some shots with the filter, your photos will come out red, pink, or purple. To fix this, just set the white balance with the filter on. If you don’t  know how to do this for your camera, just Google “how to set white balance with [your camera model].” Then you should be able to achieve this photo special effect.

If that didn’t work, set your white balance to the coolest color temperature available (2500K or lower, or Incandescent/tungsten if you can’t set a numerical value). Then just fix the color in post photo editing. In photoshop, if you used JPEG, open the image, clickImage > Auto-color. That’s it! Click Auto-contrast (or Auto levels) to make the photo more dynamic.

Photoscape 3.6.3 An amazing free photo editor with lots of extra tools. ...filters and special effects included ... Drawing & Retouching	Free English	10 Softonic rating	Download
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DreamLight Photo Editor 4.2 Add dream effects to your digital photos. ...different special effects to apply to your photos ... Design	Trial version English	6 Softonic rating	Download
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Magic Photo Editor 6.1 Magic Photo Editor is an easy-to-use photo editingsoftware Now suppose you have a dig. ...create special effect It makes your photo ... General	Trial version English	7 Softonic rating	Download
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Photo Pos Pro 1.88 Great graphic editor packed with functions. ...optimization and special effects The program ... Drawing & Retouching	Free English	8 Softonic rating	Download
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Microsoft Photo Story 3 Bring your digital photos to life. ...stunning special effects, soundtracks ... Photo Albums	Free English	8 Softonic rating	Download
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StudioLine Photo 3.70.37.0 Complete utility to edit photos and organize your collection. ...preprocessing, through photo correction, tospecial effects ... General	Free English	8 Softonic rating	Download
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Windows Live Movie Maker16.4.3505.912 Create media presentations the easy way. ...photos, videos, music and special effects ... Video editing software	Free English	8 Softonic rating	Download
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Photo Booth for Windows 7 1.0 Take photos with your webcam and share them online. ...selection of special effects you can apply ... daysPhoto Booth ... Capture	Free English	8 Softonic rating	Download
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ACDSee Photo Manager 15.2.212 Import, manage, fix and share your photos. ...add a few special filters and effects and finally ... Image Catalogues	Trial version English	8 Softonic rating	Download Buy now
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MagicCamera 6.4.0 Add special effects or use a video in your webcam. ...sorts of special effects and frames ... movie, aphoto slideshow ... Conferencing	Trial version English	7 Softonic rating	Download Buy now
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