Ultimate Collection of Free Photoshop Styles

Ultimate Collection of Free Photoshop Styles

In this post we’ll link out to a number of useful Photoshop layer styles that can be downloaded for free. Many of them have been created especially for text, others for buttons, and some are more general. Download the styles and apply them to your layers for instant results.Photoshop users can save time during the design process by  making use of layer styles. Whether you are saving your own custom style to be used multiple times throughout your design (such as with a button), or using pre-made styles created by other designers, taking advantage of this feature in Photoshop can greatly speed up your workflow.

Letterpress Style
Letterpress Styles
Textured Metallic Style
Metal Text Style
Metal Text Style
Colorful Jelly Text Styles
Dark Layer Style
Chrome Layer Style
Chrome Text Style
3D Text Styles
Translucent Light Burst Style
Glowing Light Text Style

Christmas Text Styles
Glossy Buttons Styles
Glass Orb Styles
Simply Clean
Layer Styles for Button Design

Saving, Loading and Reusing Layer Styles in Photoshop


Saving, Loading and Reusing Layer Styles in Photoshop
 


Written by Steve Patterson. In this Photoshop tutorial, we’re going to learn how to save, load and reuse layer styles! Photoshop’s layer styles are a great way to create fun and interesting photo effects and text effects without requiring a lot of effort, or even a lot of skill. You don’t need to be a Photoshop guru or spend your life studying light and color theory to begin applying drop shadows, strokes, gradients, patterns, inner and outer glows and more to your images with layer styles, creating everything from subtle color effects to the wildest and craziest text effects anyone’s ever seen. In fact, the only thing you really need to benefit from layer styles in Photoshop is a willingness to play around and experiment. That, plus it also helps to have some free time on your hands, since layer styles can become a bit of an addiction.
If free time is in short supply, not to worry. Photoshop makes it easy to save our layer style creations so we can easily re-apply them to other images without having to redo any of the steps! In this tutorial, to give us something to work with, we’re going to be creating a simple photo frame using nothing but layer styles. When we’re done, we’re going to save the completed effect, and then we’ll see how to apply the exact same photo frame to a different image instantly!

Here’s the photo frame we’ll be creating:
A photo frame created with layer styles in Photoshop.
A simple photo frame created with layer styles in Photoshop.
Keep in mind that the photo frame itself is not the main focus of this tutorial, although you’re certainly free to follow along with the steps and use the completed frame with your images. The point of the tutorial, though, is to learn how easy it is to save your own layer style effects, load them back into Photoshop when needed and then apply them instantly to other images.
Let’s get started!

Step 1: Duplicate The Background Layer

With our photo newly opened in Photoshop, the first thing we need to do before we can begin adding any layer styles to it is duplicate the Background layer. If we look in our Layers palette, we can see that we currently have one layer and it’s named Background. This is the layer that contains our original photo. We usually duplicate this layer before doing anything else so we don’t harm our original pixel information, but in this case, there’ a different reason. Photoshop doesn’t allow us to apply layer styles to Background layers. In fact, if you look at the Layer Styles icon at the bottom of the Layers palette, you’ll see that it’s currently grayed out and unavailable:
The Layer Styles icon in the Layers palette in Photoshop. Image © 2008 Photoshop Essentials.com.
The Layer Styles icon appears grayed out and unavailable for the Background layer.
Let’s get around this little problem by creating a copy of the Background layer. Go up to the Layer menu at the top of the screen, choose New, and then choose Layer via Copy:
Photoshop New Layer via Copy. Image © 2008 Photoshop Essentials.com.
Go to Layer > New > Layer via Copy.
Or, for a much faster way to duplicate a layer, simply press the keyboard shortcut Ctrl+J (Win) / Command+J(Mac). If we look again at our Layers palette, we can see that we now have an identical copy of the Background layer sitting above the original. Photoshop has automatically named the copy "Layer 1":
Duplicating the Background layer in Photoshop. Image © 2008 Photoshop Essentials.com.
A copy of the Background layer appears above the original in the Layers palette.
Now that we have a copy of the Background layer to work with, we can begin adding our layer styles!

Step 2: Apply A Black Stroke To The Layer

As I mentioned at the beginning, we’re going to be creating a simple photo frame using nothing but layer styles, and the first thing we’ll do is create a black border around the edges of the photo. Click on the Layer Styles icon at the bottom of the Layers palette (which is now available to us) and select Stroke from the bottom of the list of layer styles that appears:
Selecting a Stroke layer style. Image © 2008 Photoshop Essentials.com.
Select Stroke from the list of layer styles.
This brings up Photoshop’s rather large Layer Style dialog box set to the Stroke options in the middle column. The first thing we want to change is the stroke’s color. For some reason, the folks at Adobe set the default stroke color to red. I think I can count on one hand the number of times I’ve wanted red for my stroke color, but no matter. We can easily change it. We’re going to use black for our stroke color, so click on the color swatch to the right of the word Color:
The stroke color option in the Layer Style dialog box in Photoshop. Image © 2008 Photoshop Essentials.com.
Click on the color swatch to change the color of the stroke.
This brings up Photoshop’s Color Picker. Select black for the stroke color. If you’re not sure how to use the Color Picker, simply enter a value of 0 for the RG and B options, circled in red. This will select black. Click OK when you’re done to exit out of the Color Picker:
The Color Picker in Photoshop. Image © 2008 Photoshop Essentials.com.
Select black from the Color Picker.
With the stroke color now set to black, change the Position option to Inside. This will place the entire stroke within the boundaries of our image. Then, to adjust the thickness of the stroke, drag the Size slider. Dragging the slider to the right increases the size of the stroke, while dragging it to the left decreases the stroke size. The value you end up choosing will depend on the size of the photo you’re using, as well as how thick you want your frame to appear, so keep an eye on your image in the document window as you drag the slider. For my photo, I’m going to go with a value of 60 px (pixels) for my stroke size:
The Stroke options in Photoshop. Image © 2008 Photoshop Essentials.com.
Change the Position of the stroke to “Inside”, then increase the Size to create the black border around the image.
When you’re done, your photo should have a black border around the inside edges:
A black stroke now appears around the inside edges of the photo. Image © 2008 Photoshop Essentials.com.
A black border now appears around the inside edges of the photo.
Don’t click out of the Layer Style dialog box just yet. We still have a couple more layer styles to add before our photo frame is complete.

Step 3: Add A White Inner Glow

We’ve created the first part of our photo frame, using the Stroke layer style in Photoshop to add a black border around the inside edges of the photo. This time, let’s add a white border just inside the black one. Unfortunately, we can only use a particular layer style once per layer, which means that since we’ve already used the Stroke layer style to add the black border, we can’t use it again unless we create another new layer and apply a completely different set of layer styles to it, which isn’t what we want to do. So, since we want to add something that looks like a white stroke, but we can’t use the Stroke layer style because we’ve already used it, we’re going to have to get a little creative.
Fortunately, there are other ways to create a stroke effect. One of them is by using the Inner Glow layer style. We’ll just need to change a few options. First, with the Layer Style dialog box still open, select the Inner Glow style from over on the left of the dialog box. Make sure you click directly on the words "Inner Glow" and don’t just click inside the checkbox. Clicking inside the checkbox will turn the layer style on but won’t give us access to any of its options. To access the options, we need to click directly on the layer style’s name:
Choosing Inner Glow from the Layer Style dialog box in Photoshop. Image © 2008 Photoshop Essentials.com.
Click directly on the words “Inner Glow” on the left of the Layer Style dialog box.
Once you’ve selected Inner Glow, the middle column of the Layer Style dialog box will change to the Inner Glow options. The default color for the inner glow is yellow and we want to use white, so just as we did for the stroke a moment ago, click on the color swatch which this time is located directly below the word "Noise":
Changing the color of the Inner Glow layer style. Image © 2008 Photoshop Essentials.com.
Click on the color swatch to change the color of the inner glow.
This brings up Photoshop’s Color Picker once again. Choose white for the inner glow color. If you need help choosing white, simply enter a value of 255 for the RG and B options, circled in red. This will select white. Click OK to exit out of the Color Picker when you’re done:
The Color Picker in Photoshop. Image © 2008 Photoshop Essentials.com.
Choose white for the inner glow color using the Color Picker.
With the color now set to white, we have a few options that we need to change in order to make our inner “glow” look more like an inner “stroke”. First, near the top of the dialog box, increase the Opacity of the inner glow to a full100%. Next, in the center of the dialog box, change the Technique option to Precise. Down at the bottom of the list of options, decrease the Range option down to 1%. Finally, back in the center of the dialog box, drag the Sizeslider to increase the size of the glow, which will now appear as a stroke thanks to the options we’ve changed. The glow actually begins at the edges of the photo, not the edges of the black stroke that we applied a moment ago, which means that as you drag the Size slider to the right, you won’t actually see the white border appearing in the image until you’ve increased it beyond the size of the black border. If you recall, I set the thickness of my black stroke to 60 pixels, which means I’ll need to increase the size of my white inner glow beyond 60 pixels before I’ll see it in my image.
I actually want my white border to appear to be the same thickness as my black border, which means I’ll need to set the size of my inner glow to twice the size of my black stroke. Since my black stroke is set to 60 px, I’ll set the size of my inner glow to 120 px. Again, the value you enter may be different depending on the size of the image you’re using:
The Inner Glow layer style options in Photoshop. Image © 2008 Photoshop Essentials.com.
Change the options circled in red to make the inner glow appear more like a stroke.
Your image should now look something like this, with a black border around the edges of the photo and a white border inside the black one:
The photo frame now has both a white and black border. Image © 2008 Photoshop Essentials.com.
The photo frame now has an inner white border and an outer black border.
Let’s add one more more layer style to complete the frame, and then we’ll see how to save it so we can instantly apply it to a different photo without having to redo any of these steps!

Step 4: Add An Inner Shadow

Let’s finish off our simple photo frame by giving it a bit of depth, as if the black outer border was in front of the white inner border. For that, we’ll add an Inner Shadow. With the Layer Style dialog box still open, click directly on the words Inner Shadow on the left. Once again, make sure you click on the words themselves and don’t just click inside the checkbox, otherwise we won’t have access to the Inner Shadow’s options:
Choosing Inner Shadow from the Layer Style dialog box in Photoshop. Image © 2008 Photoshop Essentials.com.
Click directly on the words “Inner Shadow” on the left of the Layer Style dialog box.
This changes the Layer Style dialog box to show the Inner Shadow options in the middle column. First, lower theDistance of the inner shadow all the way down to 0 px. Set the Choke option to around 65%, then increase theSize of the inner shadow to 100 px:
The Inner Shadow options in Photoshop. Image © 2008 Photoshop Essentials.com.
Add some depth to the photo frame with the Inner Shadow layer style.
You may need to experiment a little with the Choke and Size options depending on the size of your image, but if you’ve been following along using the same values for the Stroke and Inner Glow styles that I’ve used, the values above should work fine. When you’re done, you should have a subtle shadow around the inside of the black border, as if it’s raised up a bit from the white border below it. Here’s my final photo frame result:
A photo frame created with layer styles in Photoshop. Image © 2008 Photoshop Essentials.com.
The completed photo frame effect.

Step 5: Save The Layer Style

Our photo frame is now complete! There may have only been a few steps involved in creating it, but this was just a simple example of what you can do with layer styles. Throw in an Outer Glow style, a Color, Gradient or Pattern Overlay, or a Bevel and Emboss effect, all with different options and settings you’ll need to remember and suddenly, having a way to easily save the completed effect so you can instantly apply it again later seems like a pretty good idea.
To save the layer style, click on the New Style button in the top right corner of the Layer Style dialog box:
Clicking the 'New Style' button in the Layer Style dialog box in Photoshop. Image © 2008 Photoshop Essentials.com.
Save the completed layer style by clicking on the "New Style" button.
Photoshop will pop up the New Style dialog box, allowing us to name our new layer style. I’m going to name mine “Simple Photo Frame”. At the bottom of the dialog box are couple of options that we can usually ignore because Photoshop does a good job of automatically selecting these options as needed, although it still helps to know what they’re used for. The first one, Include Layer Effects, deals with whether or not we want to include the individual effects that we’ve used such as our Stroke, Inner Glow and Inner Shadow. Technically speaking, these individual styles are called layer "effects", and when you combine them for different results, you end up with a layer "style". However, most people just use the term "layer style" whether they’re referring to an individual effect or a combination of several effects. Since we obviously want to include the individual effects that we’ve used to create our photo frame, this option is automatically selected for us.
The second option, Include Layer Blending Options, is more of an advanced topic and is only important if we made any changes in the main Blending Options section of the Layer Style dialog box. For example, if we had lowered the overall opacity of our photo frame to 50% and we want to use that same lowered opacity setting every time we apply the frame to a new image, we’d want to make sure this option is selected. We didn’t do anything like that here, so we can leave this option unchecked:
The New Style dialog box in Photoshop. Image © 2008 Photoshop Essentials.com.
The “New Style” dialog box.
Click OK when you’re done to have Photoshop save the layer style and exit out of the dialog box. You can also close out of the Layer Style dialog box at this point, since we’re now finished with our photo frame.

Step 6: Open A New Photo

And with that, our photo frame is saved and ready to be applied instantly to any other image! To show you how easy it is to re-apply the layer style, open a new image. Here’s the photo I’ll use:
A holiday family portrait. Image licensed from iStockphoto by Photoshop Essentials.com.
Open a new photo.

Step 7: Duplicate The Background Layer

Remember that Photoshop doesn’t allow us to apply layer styles to Background layers, which means the first thing we’ll need to do with our new image is duplicate the Background layer. Go up to the Layer menu at the top of the screen, choose New, and then choose Layer via Copy, or use the faster keyboard shortcut Ctrl+J (Win) /Command+J (Mac). Our Layers palette now shows the copy of the Background layer, named “Layer 1″, above the original:
The Layers palette in Photoshop. Image © 2008 Photoshop Essentials.com.
Remember to duplicate the Background layer first before attempting to apply any layer styles.

Step 8: Click On Your Layer Style In The Styles Palette

You’ll find any and all layer styles that you’ve created and saved, along with the ones that Photoshop loads for us as part of the program, sitting in the Styles palette (with "Styles" being short for "Layer Styles"). By default, the Styles palette is grouped in with the Color and Swatches palettes. You’ll need to click on the name tab at the top of the Styles palette to bring the palette to the foreground if it’s hiding behind one of the other two palettes in the group. If you don’t see the Styles palette at all on your screen, simply go up to the Window menu at the top of the screen and select the Styles palette from the list.
The Styles palette contains small thumbnails of all the layer styles that are currently loaded in to Photoshop, which includes the style we just created and saved. If you have Tool Tips enabled in Photoshop’s Preferences, you’ll see the names of the layer styles appear as you hover your mouse over the little thumbnails. Any time you save a new layer style, it appears at the bottom of the list in the Styles palette, which means that our "Simple Photo Frame" layer style will be the last one in the list. Simply click on the style’s thumbnail to select and apply it:
The Layers Styles palette in Photoshop. Image © 2008 Photoshop Essentials.com.
Click on the layer style you want to apply in the Styles palette.
And just like that, with a simple click of the mouse, the completed photo frame style is applied to the new image:
A photo frame created using layer styles in Photoshop. Image © 2008 Photoshop Essentials.com.
The photo frame layer style is instantly applied to the new image.
One important thing to keep in mind is that even though we’ve saved our photo frame layer style and it’s appearing in the Styles palette for us to select and apply whenever we need it, it’s currently only saved temporarily. Basically, it’s saved inside Photoshop, which is fine until Photoshop crashes and we need to re-install it or we upgrade to a new version of Photoshop. If, for any reason, Photoshop needs to be re-installed, we’ll lose our photo frame layer style, along with any other layer styles we’ve created. Fortunately, Photoshop allows us to save permanent copies of our layer styles (or at least, as permanent as you can get with computers) which we can load back in any time we need them. We’ll see how to do that next!

Step 9: Open The Preset Manager

To save any layer styles we’ve created so that we won’t lose them if we ever need to re-install Photoshop, we need to use Photoshop’s Preset Manager, which you can find by going up to the Edit menu at the top of the screen and choosing Preset Manager:
Selecting the Preset Manager in Photoshop. Image © 2008 Photoshop Essentials.com.
Go to Edit > Preset Manager.
There is an option directly in the Styles palette for saving layer styles, but it doesn’t give us any control over which styles we save. All it can do is take every layer style that’s currently loaded into Photoshop and save them all as one big group, which usually isn’t what we want to do. The Preset Manager, on the other hand, allows us to pick and choose exactly which layer styles we want to save.

Step 10: Select “Styles” From The “Preset Type” List

When the Preset Manager dialog box appears, it defaults to show the list of Brushes that are currently available. Select Styles from the Preset Type selection box at the top:
The Preset Manager in Photoshop. Image © 2008 Photoshop Essentials.com.
Select “Styles” from the “Preset Type” option.

Step 11: Select And Save Your Layer Style(s)

Once you select Styles from the list at the top, all of the layer styles that are currently loaded into Photoshop appear in the Preset Manager with the same thumbnails we saw in the Styles palette. To save the photo frame style, simply click on its thumbnail to select it. You’ll see a black highlight border appear around the thumbnail to let you know it’s selected. If you have other layer styles that you also want to save as part of this style set, hold down yourCtrl (Win) / Command (Mac) key and click on their thumbnails as well to select multiple styles at once. In my case here, I’m saving only the "Simple Photo Frame" style. Then click the Save Set button over on the right of the dialog box:
Saving a new layer style set in Photoshop. Image © 2008 Photoshop Essentials.com.
Select your layer style(s), then click on the Save Set button.
Photoshop will pop up another dialog box, this time asking you to name your style set and choose where you want to save it. Since I’m only saving one layer style, I’m going to name my set “Simple Photo Frame.asl”. Make sure you include the three letter extension at the end of the name if you want to be able to use your style set on both a PC and a Mac. The easiest place to save your style set is to your Desktop. In my case, I’ve created a folder on my Desktop named "layer styles" which is where I’ll save my set to. Of course, you can choose whichever location is most convenient for you. Once you’ve named the set and chosen a save location, click the Save button to save the set:
Naming and saving a layer style set in Photoshop. Image © 2008 Photoshop Essentials.com.
Name your new style set and choose a location to save it to.
When you’re finished, click Done in the top right corner of the Preset Manager to exit out of it. Your layer style is now saved safely outside of Photoshop, so if Photoshop happens to die on you, it won’t take your layer style along with it! Of course, if your entire hard drive crashes, well, that’s another story.

Step 12: Select “Load Styles” From The Styles Palette Menu

If we ever need to load the layer style back in to Photoshop, we can do that easily from within the Styles palette. Simply click on the palette’s menu icon in the top right corner of the palette (I’m using Photoshop CS3 here. In Photoshop CS2 and earlier the menu icon appears as a small arrow), which brings up a fly-out menu. Select Load Styles from the list of options:
Selecting the 'Load Styles' option from the Styles palette in Photoshop. Image © 2008 Photoshop Essentials.com.
Select the “Load Styles” option from the Styles palette fly-out menu.
Photoshop will pop up a dialog box asking you which layer style set you want to load. Simply navigate to where you saved your style set, which in my case was a folder on my Desktop named “layer styles”. Click on the name of the set you want to load, then click on the Load button to load the set into Photoshop:
Loading a layer style set in to Photoshop. Image © 2008 Photoshop Essentials.com.
Navigate to where you saved your style set, select it from the list, then click the “Load” button.
Photoshop loads the layer style set, and the "Simple Photo Frame" style will appear once again inside the Swatches palette, ready to be applied to a new image:
The layer style is now loaded back into Photoshop. Image © 2008 Photoshop Essentials.com.
The layer style is now loaded back into Photoshop and appears inside the Swatches palette.
And there we have it!



Photoshop’s layer styles — effects that alter the appearance of a layer — are just fantastic. Photoshop pros use them quite frequently as an absolutely vital component of their workflow. This guide delves into the topic of layer styles, discussing the various effects you can achieve with this handy utility.
In this guide, I will be walking you through each individual layer effect and showing examples of each. Do keep in mind, however, that layer styles are about experimentation — some effects work perfectly in some designs, whereas they may look terrible in others. There are no set formulas, and it’s up to you to unleash your creativity once you have learned the fundamentals of using layer styles in Photoshop.
Photoshop Layer Styles: Comprehensive GuideThis is what we will discuss:
  1. What is a layer style?
  2. Applying layer styles
  3. The Layer Style dialog window
  4. Drop Shadow
  5. Inner Shadow
  6. Outer Glow
  7. Inner Glow
  8. Bevel and Emboss (Contour/Texture)
  9. Satin
  10. Color Overlay
  11. Gradient Overlay
  12. Pattern Overlay
  13. Stroke
  14. A few layer type tips

What is a Layer Style?

A layer style is simply one or more layer effects and blending options applied to a layer. Layer effects are things like drop shadows, stroke, and color overlays.
Here is an example of a layer with three layer effects (Drop Shadow, Inner Glow, and Stroke).
You can turn off a layer style by clicking on the eye icon beside Effects so that you can see how the original layer looks without its layer style.
Similarly, you can turn off the visibility of each layer effect. In the following example, the Drop Shadow layer effect was disabled.
You can tell that a layer has a layer style because of the fx icon on its right side.

Applying Layer Styles

To set up a layer style, you will use the Layer Style dialog window. There are various ways to access the Layer Style dialog window.

Right-Clicking on a Layer

By right-clicking on your layer, you can select Blending Options to open up the Layer Style dialog window.

Double-Clicking on a Layer

By double-clicking on your layer’s thumbnail preview in the Layers Panel, you can open up the Layer Style window.

Application Bar Menu

Like most things in Photoshop, you can access the Layer Style dialog window through the Application Bar menu by going to Layer > Layer Style. You can find each individual layer effect (Drop Shadow, Inner Shadow, etc.), as well as an option to open up the Layer Style dialog window (Blending Options).

Use Preset Layer Styles Using Styles Panel

The Styles Panel features preset layer styles such as "Sunspots" or "Tie-Dyed Silk". Just select a layer and click on the appropriate preset layer style to apply it.
You can view the Styles Panel by going to Window > Styles.
Styles Panel

The Layer Style Dialog Window

When you first open the Layer Style window, you will see the Blending Options. Here you can adjust the Blend Mode and layer Opacity, as well as some more advanced blending effects.
A layer style can have one or more different layer effects. To apply a layer effect, check the box beside it.
Be sure to enable the Preview option so that you can see your changes in real-time.
To quickly preview what your layer style looks like, there’s a thumbnail on the right side of the window to help remind you.
Let us go over each of the different layer effects, starting with the Drop Shadow layer effect.

Drop Shadow Layer Effect

The Drop Shadow is probably one of the most used layer effects.
The Blend Mode allows you to blend the shadow into the background in different ways (Multiply, Overlay, etc.).
Lower the Opacity to increase the shadow’s translucence.
The Angle option of your drop shadow will affect the direction it drops when the Distance is set to 1 pixel or higher. If the Distance is set to 0, the shadow will spread equally around the layer’s contents.
Spread allows you to make the shadow thicker/denser.
The Size is how big or small the drop shadow will be on each side of the object.
Changing the Quality set of options enables you to add noise to your shadow and alter the contours of your shadow.

Drop Shadow Example 1

In this particular image, the direction of the shadow won’t matter because I had set the Distance option to 0, meaning that the shadow is centered. This can be used to bring images out of the background, and works especially well on light backgrounds (such as white or light gray).

Drop Shadow Example 2

This next example uses similar settings, with a slightly lower Opacity, and increased Distance, Spread and Size. As you can see, the drop shadow steers off below the bottom right side corner, giving the impression that there is a source of light coming from the upper left corner.

Inner Shadow Layer Effect

The Inner Shadow effect is very similar to the Drop Shadow. In fact, it’s just the inverse in that it’s applied inside the object instead of the outside of it.
All of the options are the same as Drop Shadow. You may notice, however, that Spread has been replaced withChoke – the higher the Choke value, the thicker the shadow.

Inner Shadow Example 1

This example uses similar settings to the first example of the Drop Shadow layer effect so that you may compare and contrast. It makes the image appear as if it has been placed behind your background, like a window.

Inner Shadow Example 2

Inner Shadow can also be used to add a slight distressed, vintage effect to images by increasing the Noise option and using a big Size value. Using such a simple style, you can make your image appear to have weathered, darkened edges and corners.

Inner Shadow Example 3

This layer style shows a common text effect: the letterpress text effect. The settings are very similar to the first Inner Shadow example, however it has a Distance of 2 so that the Angle option produces an effect.

Outer Glow Layer Effect

Glows are very similar to shadows in concept. Outer glows are often used to create subtle effects when an outer edge of an object needs a bit of a boost to get it to stand out from its background. Outer glows usually work best on dark backgrounds.
Like shadows, you can adjust the Blend Mode, Opacity and Noise of your glow, as well as the Spread and Size of it.
An option you have with glows that isn’t available with shadows is the Technique option, which can either be Softer orPrecise.
Softer gives the edge of your glow a softer and more subtle edge, whereas Precise makes your glow stronger and bolder.
The Range option of your glow allows you to change its thickness — the lower the number, the thicker. Setting this at 1%, for example, will actually make your glow look like a stroke rather than a glow.

Outer Glow Example

Here is a blue outer glow.

Inner Glow Layer Effect

Like the Drop Shadow versus Inner Shadow, the Inner Glow versus the Outer Glow is similar, they are just the inverse of each other.
All the options are the same as Outer Glow, with one additional option: Source. The Source allows you to make your glow appear from the Edge (default setting) or the Center.

Inner Glow Example 1

This is an example of the Edge glow, which works in the same way an Inner Shadow does.

Inner Glow Example 2

This is an example of the Center glow using the Overlay blend mode to make the inner area of the photo appear more vivid with an increased level of contrast.

Bevel and Emboss Layer Effect

The Bevel and Emboss gives an object a raised (Bevel) or depressed (Emboss) look. The effect has two sub-effects, Contour and Texture.
Contour allows you to make your bevel/emboss sharper or softer.
Texture gives you the option to add a pattern to your object.
There are a handful of different settings when it comes to using the Bevel and Emboss effect. The higher the Depth, the sharper the structure. The higher the Size, the more center your bevel/emboss will be. The Shading set of options allow you to increase the Opacity of both the highlights and the shading, and also allows you to change the Angle (the source of light).

Bevel and Emboss Example 1

This example shows an exaggerated effect; because the Depth is so high (1000%) and the Size and Soften settings are very low, our bevel is very prominent.

Bevel and Emboss Example 2

This is a very similar example as the one we just looked at, however, this time I have slightly decreased the bevel’s Depth and enabled the Contour effect. The Contour, as you can see, gives the bevel an even sharper edge; very close to a 1-pixel line. It also removes a lot of the highlights around the left and top edges of our photograph.

Bevel and Emboss Example 3

This example uses the exact same settings as the above example (including the Contour settings), however this time we have also checked our Texture effect. You can select one of Photoshop’s preexisting patterns, or install some of your own.
The sliders control the scale and depth of your pattern, and the Invert checkbox allows you choose between either embossed or beveled.

Satin Layer Effect

The Satin style, in my experience, is very rarely used. One use I have found for it in the past is for recreating vintage effects — although there are lots of different other ways to do that.
The Satin options are very simple, and similar to the others we have already looked at.

Satin Example 1

I have set the Color to red, the Distance to 72px and size to 0 to create the pattern on top of my image.

Satin Example 2

This example has near-identical settings as the one above; the only difference is that I increased the Size value. As you have probably noticed, increasing the Size option creates a blurred effect.

Color Overlay Layer Effect

Color Overlay is an incredibly simple layer style, allowing you to completely cover the layer’s contents with a color.
There are three settings: the Blend Mode, the Color, and the Opacity — they are pretty self-explanatory. This is a useful effect for quickly changing colors and is often used in web design variations, when alternative colors of things like text is desired.

Color Overlay Example 1

This is the default settings you will be given when applying the Color Overlay layer effect.

Color Overlay Example 2

One common use for the Color Overlay effect is to quickly apply colored tints to your images. To do this, you just need to select your color and lower your Opacity enough so that your image can show through (although this is probably better done with an adjustment layer for better control).

Color Overlay Example 3

When using solid black alongside the Overlay blend mode and an Opacity of 100%, you can completely eliminate some colors within your image. This could be useful for isolating subjects from their background.

Gradient Overlay Layer Effect

The Gradient Overlay does the exact same thing as a Color Overlay, apart from that it overlays your objects with a color gradient rather than a color.
The Style of the gradient can be Linear, Radial, Angle, Reflected or Diamond.
The Scale of the gradient makes it smaller or bigger with respect to the size of your layer objects.
There is also a Reverse option, which allows you to quickly reverse the orientation of your colors, saving you from having to recreate a new gradient.
Clicking on the Gradient option presents the Gradient Editor where you can set your gradient’s colors and type.

Gradient Overlay Example 1

Simple grayscale gradients such as the one below are often used alongside inner shadow styles like we used earlier to create an even more realistic letterpress effect. All the standard settings have been used; the only thing that has been changed from the default settings is the color of the gradient itself.

Gradient Overlay Example 2

This effect again uses all the default settings except the Style of the gradient has been set to Radial rather than the default setting (which is Linear).

Pattern Overlay Layer Effect

Like the other overlay effects, the Pattern Overlay works in almost the same way. This is actually very similar to the Texture setting we used under the Bevel and Emboss effect.
You can select from various built-in Photoshop patterns or create/install your own.

Pattern Overlay Example 1

This is the default setting for the Pattern Overlay style.

Pattern Overlay Example 2

By using the Scale option, you can increase or decrease the resolution of your pattern.

Pattern Overlay Example 3

Here is a custom pattern applied to the text. You can see that it tiles the pattern, producing a striped effect.

Stroke Layer Effect

This is the last layer effect we will talk about. The stroke effect simply places a border around your object.
The options are similar to the ones we’ve discussed earlier and are pretty self-explanatory (at least by now). ThePosition option, which indicates where you want the stroke to be made, can be Inner, Outer, or Center. The size of your stroke determines how thick it is — you can adjust this in pixel units. The default is 3px, but the most common is probably 1px.
The Fill Type allows you to fill your stroke with different elements; you can either choose from a solid color, a color gradient, or even a pattern. The default Fill Type is Color.

Stroke Example 1

These settings are the default settings, adding a simple and relatively thick stroke to anything on the layer you are applying it to.

Stroke Example 2

As can be seen in the image below, a much more subtle gradient-based stroke looks interesting. The gradient merges from a color slightly darker than the letter itself, into the exact same color as the letter, making it seem like the top of the letter doesn’t have stroke at all.

Layer Style Tips

Here are some basic tips for working with layer styles.

Scope

Layer styles are automatically applied to anything new you place on that layer. If you don’t want it to take on the same style, you need to place it on a new layer.

Copying, Pasting, and Removing Layer Styles

If you have a layer style with a bunch of effects applied that you’d like to use on another layer, you can right-click on the layer, choose Copy Layer Style, right-click on your new layer and then choose Paste Layer Style. This can save a lot of time!
To remove a layer style permanently, right-click on the layer and then choose Clear Layer Style. If you just want to toggle the visibility, click on the eye icon beside Effects (as discussed earlier in the guide).

Don’t Overuse Layer Styles

Not all layer styles look good, so don’t go over the top. Keep things looking relatively subtle to avoid making your work look amateurish. The layer style examples in this guide were done in an exaggerated fashion for the sake of illustrating each layer effect.

Experiment

It’s all down to experimentation. There are endless ways to use layer effects; see what works and what doesn’t.